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So he has come back to her. There is triumph in this thought and some natural vanity, but above and beyond all else a great relief that lifts from her the deadly fear that all night has been consuming her and has robbed her of her rest. Now anxiety is at an end, and joy reigns, born of the knowledge that by his speedy surrender he has proved himself her own indeed, and she herself indispensable to his content.,

"Yes, that is true," he says, in a curious tone, in answer to her words, his eyes fixed moodily upon the ground. Then suddenly he lifts his head, and as his gaze meets hers some of the truth and sweetness that belong to her springs from her to him and restores him once again to his proper self.,

Yet all things in this passing world know an end. In one short moment the perfect picture is spoiled. A huge black dog, bursting through the underwood, flings himself lovingly upon Mona, threatening every moment to destroy her toilet.,

"Nay," she says, very sweetly and gravely, "you mistake me. I am glad to obey you. I shall not go to Ryan's house again."

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She would have gone to him then, and tried to console him in her own pretty fashion, but he motions her to stay where she is.,

For an instant Rodney turns his eyes on her, and then goes back to his sneering examination of Geoffrey. Between them the two dogs still lie, quiet but eager.,

"Mona, are you still there?" he says, with a return to consciousness: "did I dream, or did my father speak to me? How the night comes on!" He sighs wearily. "I am so tired,—so worn out: if I could only sleep!" he murmurs, faintly.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.